The Criterion Collection
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
The Daily
Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
The Daily
Jan 5, 2026 — One of France’s biggest stars took the world by storm before her reputation took a turn.
Feb 28, 2023 — One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.
Jun 17, 2019 — Renowned for his adaptations of Shakespeare and great operas, the director was also a controversial Italian senator and stood accused of sexual misconduct.
Mar 23, 2010 — In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
The Daily
Jun 14, 2024 — Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.