The Criterion Collection
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Jul 29, 2014 — The writer and director is inspired by Lawrence Kasdan’s classic comic drama to consider the joys and disappointments of the baby boomer generation that begot her.
Essays
Jul 24, 2012 — Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.
Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...
Essays
Jul 19, 2004 — Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.