The Criterion Collection
The Daily
Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.
The Daily
Sep 1, 2021 — New films by Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Paul Schrader, and Paolo Sorrentino are set to premiere in competition.
The Daily
Oct 30, 2020 — How fitting it is that the season for scary viewing arrives as we teeter on the cusp of a historical moment.
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
The Daily
Feb 25, 2020 — A philosophical debate running nearly three and a half hours has opened the Berlinale’s new Encounters competition.
The Daily
Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.
Essays
Oct 15, 2019 — Born in Denmark to a wealthy family in 1879, Benjamin Christensen dropped out of medical school to receive training as an opera singer, only to lose his singing voice to what was diagnosed as an incurable nervous illness. He then...
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...