Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Jan 26, 2023 This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.

Oct 7, 2022 This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Aug 30, 2022 A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Oct 26, 2021 Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.

Jun 15, 2021 These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

May 26, 2021 Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

May 25, 2021 1. William Lindsay Gresham’s first book—the sordid carnival-sideshow noir Nightmare Alley—was the author’s only considerable literary success. A controversial best seller upon its publication in 1946, the novel was quickly followed by a film adaptation the next year. Gresham would...

Nov 2, 2020 Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Jul 15, 2020 When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...

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