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Pamela, A Love Story

BIFAs and Indies

The Daily

Dec 2, 2019 For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.

Jul 28, 2020 Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.

Dec 17, 2018 Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Nov 26, 2025 This short week brings writing on Wong Kar Wai’s first series and Kubrick’s and Pasolini’s last features.

Sapph-O-Rama

The Daily

Feb 2, 2024 Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Jun 23, 2017 Reporting on last year’s edition of Il Cinema Ritrovato for Film Comment, Dan Sullivan called the festival “a rare beast indeed: a one-week, primarily repertory film festival, mind-bogglingly dense with new restorations, legendary prints, discoveries and rediscoveries, canonical works presented...

Wish for a Breeze

The Daily

Nov 22, 2024 Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .

Aug 5, 2019 At the San Francisco Silent Film Festival you can expect to see many great, even perfect, treasures of cinema, popular classics, and critical favorites. At the age of twenty-four, the event has become increasingly central to the silent cinema calendar—one...

May 18, 2020 It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

May 7, 2019 “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

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