The Criterion Collection
Feb 7, 2023 — One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
The Daily
Sep 10, 2021 — A political thriller, a batch of musicals, conversations with Steve Buscemi, and Sarah Maldoror’s Sambizanga are among this week’s highlights.
Jul 20, 2021 — Pedro Almodóvar will open Venice, and Toronto will bring several Cannes favorites to North America.
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...
The Daily
Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.
The Daily
Feb 1, 2021 — Critics and programmers introduce the thirty titles lined up for the Tiger and Big Screen competitions.
Essays
Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...
The Daily
Nov 5, 2020 — A new 4K restoration of Fellini’s 1954 classic is now playing in virtual theaters from coast to coast.