My Lover

Nov 11, 2018 — Cold War leads the nominations for this year’s European Film Awards, while Ray & Liz scores in Thessaloniki.

Apr 22, 2011 — At a time when many talk of cinephilia as going the way of the woolly mammoth, it’s more than a little inspiring to come upon a place like the Aperture Cinema in Winston-Salem, North Carolina. This two-screen art-house theater (which...

Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Aug 19, 2019 — Vitalina Varela leads this year’s award winners at the Locarno Film Festival.

Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

Dec 3, 2020 — First Person A dedicated movie buff from my teenage years onward, and an assiduous if not pedantic completist forever seeking out obscure backlist items by favorite auteurs, such as that rare screening of George Cukor’s The Model and the Marriage...

Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.

Jun 19, 2019 — Jeremy Workman is a documentary filmmaker and award-winning editor of movie trailers, specifically for art-house, documentary, and foreign films. His latest documentary, The World Before Your Feet, was released to critical acclaim last November and played in movie theaters into...

Jul 30, 2015 — Troy Miller is a director and producer whose credits include the hit television comedies Mr. Show, Arrested Development, The Office, Flight of the Conchords, and Parks and Recreation. He says, “I selected the films below almost entirely for my own...

Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.