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Monsters and Men

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

Mar 18, 2026 This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

Oct 21, 2025 Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.

Jul 1, 2025 Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.

Written in Neon

The Daily

Jan 19, 2024 We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

May 10, 2023 The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

Scary Stories

The Daily

Oct 29, 2021 A lost Iranian melodrama returns, Reverse Shot and Caligari tell us scary stories, and Robert Mitchum is the star of Noirvember.

November Books

The Daily

Nov 11, 2019 This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Mar 12, 2018 After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...

Jan 19, 2018 New York. Starting today at MoMA, The Banishment (2007), “the second feature from the Russian director Andrey Zvyagintsev, is finally receiving a run in New York more than ten years after its lead, Konstantin Levronenko, took the best-actor prize at...

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