Vital Revivals

The Daily

Aug 23, 2024 We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.

All for an Idea

The Daily

Aug 2, 2024 Along with the new Senses of Cinema, we’re reading interviews with Michael Roemer, Claire Denis, and M. Night Shyamalan.

Look at the Truth

The Daily

Jun 7, 2024 Standouts this week include conversations with Bridgett M. Davis and Nan Goldin and essays on Nobuhiko Obayashi and Paul Schrader.

Jan 10, 2023 In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Jun 19, 2009 Forty-six years ago, Last Year at Marienbad opened in London. Resnais and Robbe-Grillet came over for the press screening, and I chatted to them in the lobby of the now defunct Cameo-Poly art house on London’s Upper Regent Street. Resnais...

Apr 6, 2009 Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously ambitious French filmmaking legend’s work, “Jacques Tati, deux temps, trois movements.” Curated by Stéphane Goudet and Macha Makeïeff,...

Nov 21, 2008 It's pretty hard to go wrong selecting ten “best” or ten “favorites” from the Criterion Collection, although it might be interesting to select the ten worst Criterion releases (something that, in deference to my friends at Criterion, I will not...

Nov 20, 2008 We asked director Rian Johnson, whose “high school noir” Brick was one of the most acclaimed films of 2006, what his favorite Criterion releases were. Johnson wrote to us: “I'm a huge Criterion fan. My first exposure to many of...

Nov 6, 2006 The New York Times ran a really nice piece about the Janus box this morning. It started on the front page of the Arts section and jumped to another half page inside. It featured big pictures from M, L'Avventura, Seven...

May 16, 1988 Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...

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