The Criterion Collection
Production Notes
May 9, 2018 — 1. Born Arutin Sayadyan, eighteenth-century Armenian poet Sayat-Nova—whose pen name means “King of Songs”—served as the initial inspiration for The Color of Pomegranates. Sayat-Nova was an ashugh, a troubadour whose verses were set to music that he played on a...
The Daily
Jan 31, 2018 — The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...
The Daily
Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...
Sep 5, 2017 — Writing for Screen, Jonathan Romney takes on the latest film by Stephen Frears: “Judi Dench as a weary Queen Victoria whose joie de vivre is restored by the tender attentions of a devoted servant. . . . Yes indeed, we...
Feb 26, 2015 — The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Features
Oct 4, 2023 — Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...
Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...