Le Départ

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Mar 4, 1989 — Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.

Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Antonio Monda teaches in the Film and Television Department at New York University. He is the director of several documentaries as well as the feature film Dicembre. He is the artistic director of the literary festival Le Conversazioni. A columnist...

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Nov 2, 2017 — The Cinémathèque Française celebrates the work of Luchino Visconti with four weeks of retrospective screenings, including this presentation of Le notti bianche.

Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.