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La dama duende

Is That the Time?

The Daily

Jan 3, 2025 — We spent the holidays reading about Claude Sautet, Pascal Plante, and Christian Marclay.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

Magic Carpet Ride

Tech Corner

Jan 23, 2008 — Of all the great places I get to go for transfer work, London is probably my favorite. First off, everyone speaks English, and there’s an abundance of great Indian food. But there’s also the excitement that when the workday ends,...

Feb 9, 2026 — Films from South Africa, Bangladesh, France, and Georgia are among this year’s winners.

Jan 25, 2018 — Charlie Kaufman, pictured above at work on his last feature, Anomalisa (2015), with co-director Duke Johnson, “is set to write and direct a film adaptation of Iain Reid’s internationally best selling novel I’m Thinking of Ending Things for Netflix,” announces...

Oct 23, 2017 — The week starts off with a new trailer (embedded below), poster, and, via Jordan Raup at the Film Stage, an official synopsis for Paul Thomas Anderson’s Phantom Thread:Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel...

Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Oct 6, 2011 — When I was living in Haight-Ashbury in the second half of the 1970s, you’d still see Robert Crumb drawing in some coffeehouse now and again. I don’t remember ever having a conversation with him, as I probably wouldn’t have wanted...

Diverging Futures

The Daily

Apr 25, 2025 — A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.

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