The Criterion Collection
The Daily
Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.
May 6, 2018 — The filmmaker and consultant had an immeasurable impact on cinema for over half a century.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...
The Daily
Feb 4, 2018 — Leonardo DiCaprio will play Leonardo da Vinci in a film based on Walter Isaacson’s biography, reports Deadline’s Mike Fleming Jr. John Logan, who’s written Gladiator, Skyfall, and Martin Scorsese’s The Aviator starring DiCaprio, will write this one “while DiCaprio goes...
The Daily
Dec 18, 2017 — The new Winter 2017 issue of Cineaste is out and the highlight of what’s online would have to be the interviews, four complete “Web Exclusives.” Dennis West and Joan M. West talk with documentarian Pamela Yates about completing her Guatemalan...
Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...
Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.