The Criterion Collection
Criterion Designs
Jan 22, 2020 — Studio Visits Bursting with life, Brooklyn-based artist Josh Cochran’s work has a way of drawing you in—and rewarding your attention. About a decade and a half ago, Cochran—who grew up in Taiwan and attended art school in California, and was...
In Theaters
Jun 14, 2019 — Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.
Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
Jul 22, 2018 — Sex, shame, and sibling rivalry: actors Andie MacDowell and Laura San Giacomo talk about capturing the layers of conflict and taboo in Steven Soderbergh’s debut feature.
The Daily
May 18, 2018 — The young Chinese director transports critics to a state of “melancholic bliss.”
Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.
May 19, 2010 — Plenty of ink has been expended over the years on the turbulent friendship between Jean-Luc Godard and François Truffaut, which helped define the French New Wave in the 1960s. Now those stories jump off the page and onto the screen...
Essays
Apr 13, 2010 — Indefatigably political Italian filmmaker Gillo Pontecorvo, best known for 1966’s truly revolutionary The Battle of Algiers, once stated that “the ideal director should be three-quarters Rossellini and one-quarter Eisenstein.” Certainly, one can see traces of the work of both of...
Jan 13, 2008 — Certainly one of the wildest, most original, and most instinctive movie stars turned auteurs in the Hollywood annals, Cornel Wilde made procedurals of uncivilized survival, in a visual syntax that ranges from comic-strip splat to outright gut punch.
Jun 5, 2019 — No filmmaker blazed more trails than Dorothy Arzner. In 1928, after making a handful of silents, Arzner became the first woman to direct a Hollywood sound film (Manhattan Cocktail), and a decade later she joined the Directors Guild of America...