The Criterion Collection
The Daily
Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
Mar 31, 2020 — Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...
Essays
Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...
Dec 3, 2019 — As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.