The Criterion Collection
Oct 4, 2019 — When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....
The Daily
May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.
Aug 10, 2018 — Plus artwork by Orson Welles, short films by Frank Mosley, and the week’s greatest thread on Twitter.
The Daily
Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...
The Daily
Aug 24, 2017 — As noted on Tuesday, the Cinémathèque suisse in Lausanne is presenting a Jacques Tourneur retrospective through September 24. The Cinémathèque française in Paris rolls out another from August 30 through October 8, and of course, the big one was staged...
The Daily
Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...
The Daily
Jun 25, 2017 — TIFF Long Take hosts Rob Kraszewski and Geoff Macnaughton talk with A. O. Scott about working with fellow New York Times film critic Manohla Dargis on that list of The 25 Best Films of the 21st Century (So Far) (43’08”)....
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Essays
Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...
The Daily
Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...