The Criterion Collection
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
Dec 8, 2020 — Swiss-Moroccan filmmaker Halima Ouardiri’s short documentary Mutts is a captivating portrait of a shelter for stray dogs in Morocco, elegantly shot in a sunbaked color palette of rich golds and browns. The film, which makes its premiere on the Criterion Channel this week in...
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
The Daily
Dec 19, 2017 — From 1970 to 1976, Joseph McBride played a film critic in Orson Welles’s The Other Side of the Wind, which Netflix plans to have completed and released next year. But he doesn’t just play one onscreen. McBride’s a critic, reporter,...
Features
Jun 17, 2013 — The author recounts the story of his friendship with the great filmmaker.
May 20, 2025 — Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.
Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.
Interviews
Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.