The Criterion Collection
Jan 19, 2018 — New York. Starting today at MoMA, The Banishment (2007), “the second feature from the Russian director Andrey Zvyagintsev, is finally receiving a run in New York more than ten years after its lead, Konstantin Levronenko, took the best-actor prize at...
May 5, 2014 — Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
The Daily
May 15, 2024 — The festival opens with a showcase for French acting royalty.
The Daily
Jul 20, 2023 — The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.
Feb 17, 2023 — Born and raised far from the centers of power in the movie industry, writer-director Glen Pitre began his career in the 1980s as a DIY filmmaker, showing his homemade productions to audiences in his native Louisiana. But when a powerful...
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.