Happy End

Dec 4, 2017 — The week begins with good news: Wes Anderson’s stop motion animated film Isle of Dogs will open the sixty-eighth Berlin International Film Festival (February 15 through 25). As the Berlinale reminds us, this is “the story of Atari Kobayashi, twelve-year-old...

Nov 29, 2017 — The National Board of Review, established in 1909 and now boasting over 100 members, has named Steven Spielberg’s The Post as the best film of 2017. The Post won’t open until December 22 and reviews are embargoed until this coming...

Nov 9, 2017 — This year’s AFI Fest opens tonight in Los Angeles with Dee Rees’s Mudbound and was to have closed on November 16 with Ridley Scott’s All the Money in the World—until Sony Pictures pulled it from the lineup in the wake...

Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...

Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 7, 2017 — This year’s Toronto International Film Festival runs from September 7 through 17. Here’s an overview of what the critics are saying; links from the titles will take you to roundups of first reviews, interviews, trailers, clips, the works.Gala PresentationsDee Rees’s...

Aug 15, 2017 — The Toronto International Film Festival has announced the titles lined up for the Masters, Contemporary World Cinema, Wavelengths, and Primetime programs of its forty-second edition, running from September 7 through 17, and added more Gala and Special Presentations.Earlier rounds: The...

May 22, 2017 — Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...

May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...

Aug 24, 2010 — T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...