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Hallo Everybody (The Netherlands

Sep 11, 2017 In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Feb 20, 2024 I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Nov 21, 2023 The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Oct 16, 2014 This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

The Lubitsch Touch

The Daily

Apr 6, 2026 New York’s Film Forum screens thirteen features by the master of urbane comedy.

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Nov 22, 2022 Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

DOC NYC 2017

The Daily

Nov 9, 2017 “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Aug 22, 2017 BBC Culture has polled 253 film critics from fifty-two countries to come up with a list of the “100 greatest comedies of all time.” Nicholas Barber argues the case for the film that’s come out on top, Billy Wilder’s Some...

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