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Golden Lion, Venice Film Festival

Jun 13, 2018 Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...

Jun 22, 2009 So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...

Jan 21, 2008 While Agnès Varda was prescient in picking up on the new social phenomenon of France’s young female drifters, she also anticipated the culture of extreme individualism that has come to dominate Western society since the 1980s.

Jun 10, 2019 The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.

Sep 10, 2017 Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

Dec 13, 2021 Chilean writer-director-producer Pablo Larraín’s features include Fuga (2006); Tony Manero (2008); Post Mortem (2010); No (2012), which won Best Film in the Directors’ Fortnight at the Cannes Film Festival and was nominated for the Best Foreign Language Film Academy Award;...

Jul 23, 2018 Venice will present a lifetime achievement award to Vanessa Redgrave, and Venice Days announces its lineup.

May 30, 2019 The star of classics directed by Kurosawa, Mizoguchi, Kinugasa, Ozu, Ichikawa, and Teshigahara was ninety-five.

Ugetsu

Essays

Dec 28, 1993 In his touchstone of postwar Japanese cinema, Kenji Mizoguchi uses woman’s fate to reveal the human cost of oppression.

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