The Criterion Collection
Sep 18, 2017 — New York. “The Whole World Sings: International Musicals, a weeklong, thirteen-film series at the Quad, is an education in song-and-dance practices outside the Hollywood one,” writes Nick Pinkerton for 4Columns. “René Clair’s Le Million (1931) [image above] is the earliest...
The Daily
Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...
Nov 16, 2021 — Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.
Mar 19, 2026 — To mark the fiftieth anniversary of the invention of VHS, the director and the editor of Videoheaven discuss how this game-changing format shaped their lives and imaginations and left a seismic impact on the film industry.
Features
Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.
Nov 24, 2009 — For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...
The Daily
Sep 9, 2024 — Venice award-winners also include Brady Corbet, Nicole Kidman, Maura Delpero, and Dea Kulumbegashvili.
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.
The Daily
Sep 5, 2023 — Pablo Larraín’s Golden Lion contender and upcoming series in New York and Vienna mark the fiftieth anniversary of the Chilean coup d’état.
Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.