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Gangs of New York

Dec 7, 2017 “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Nov 23, 2017 Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Jun 5, 2017 Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Aug 25, 1998 Abeautiful woman is mysteriously beating the bejesus out of a drunk when he suddenly pulls at her hair and it comes off. The now totally bald woman continues smacking him around with her shoe until he falls to the ground....

Jan 11, 2017 A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Nov 19, 1989 Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

Immortal Material

The Daily

Oct 14, 2022 Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

Jan 11, 2018 The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...

Sondheim On-Screen

The Daily

Nov 29, 2021 The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Feb 10, 2020 The ragman’s son became one of Hollywood’s brightest stars, working most memorably with Wilder, Minnelli, and Kubrick.

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