The Criterion Collection
Apr 6, 2009 — Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously ambitious French filmmaking legend’s work, “Jacques Tati, deux temps, trois movements.” Curated by Stéphane Goudet and Macha Makeïeff,...
Nov 19, 2008 — Michael Barker and his copresidents at Sony Pictures Classics, Tom Bernard and Marcie Bloom, have brought out some of the best and most successful independent and international films of the last two decades, from Women on the Verge of a...
Jan 4, 2007 — As we get back from vacation, the e-mail boxes are full. Kim, several of the other producers, and I have been doing our best to get to it all, but it’s beginning to pile up. We’ve been pretty good about...
Nov 30, 2006 — We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...
Sep 22, 1997 — The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...
The actor praises the unique sensibility that Martin Scorsese brought to The Last Temptation of Christ, shares his love for the visual poetry of his friend and collaborator Guillermo del Toro, and talks about why Throne of Blood is his...
The writer and director talks about the connection between Le corbeau and Salò, or The 120 Days of Sodom; praises the strength of Kira Muratova and Larisa Shepitko; and selects Deep Crimson for his friend, Arturo Ripstein.