The Criterion Collection
The Daily
Aug 13, 2025 — Toronto will premiere Claire Denis’s new film and New York will present Rebecca Miller’s five-part Mr. Scorsese in its entirety.
Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.
In Theaters
Feb 7, 2018 — In celebration of Ingmar Bergman’s centennial, New York City’s Film Forum launches a five-week retrospective that encompasses a whopping forty-seven films.
Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.
Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.
Interviews
Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.
Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...