The Criterion Collection
May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...
Short Takes
Apr 6, 2010 — In “the cinema of flourishes”—as scholar David Bordwell once memorably characterized the long and grand tradition of Japanese filmmaking—few flourish makers have flown so high as Takeo Kimura, longtime Seijun Suzuki collaborator and art director extraordinaire, who died recently at...
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...
The Daily
Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
The Daily
Apr 13, 2026 — The Cannes sidebar spotlights first and second features from up-and-coming filmmakers.
Essays
Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
Jan 22, 2026 — At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.
The Daily
Jan 21, 2026 — New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.