The Criterion Collection
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Features
Mar 19, 2015 — The author recalls his encounters and correspondence with the filmmaker.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Dec 5, 2005 — If there is a skeleton key to François Truffaut’s oeuvre, it is this film, in which all of his assorted gifts and preoccupations are in play and meshed into a uniquely idiosyncratic whole.
May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...
Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...
The Daily
Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...