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Equinox

Jun 18, 2007 Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.

Jun 14, 2024 Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.

Nov 13, 2023 Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...

Aug 15, 2023 Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...

May 20, 2018 A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.

In Search of Ozu

On the Channel

Apr 16, 2018 Filmmaker Daniel Raim took a pilgrimage to Japan to get his own firsthand look at some of the most iconic objects in the world of Yasujiro Ozu.

May 31, 2017 New York. The BAMcinématek series Varda in California opens today and runs through June 13. The New Yorker’s Richard Brody recommends Lions Love (. . . and Lies) (1969): “Filming this docu-fiction in Los Angeles in June, 1968, the week...

Mar 17, 2017 Did You See This? The latest issue of Senses of Cinema looks back fifty years to reflect on films that captured the cultural and political tumult of 1967. If you’re in the mood for another flashback, Little White Lies has...

Baltimore Flower

In Theaters

Mar 13, 2014 Repertory PicksThe lovely domestic drama Equinox Flower (1958) was the first color film by the great Japanese director Yasujiro Ozu. Though this master of cinematic composition was initially resistant to moving to the relatively new process (the first color film...

Mar 13, 2013 The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.

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