The Criterion Collection
In Theaters
May 23, 2013 — Repertory PicksAudiences in New York have a chance to see a rarely screened cinematic spellbinder on the big screen this Memorial Day weekend. On Sunday, František Vláčil’s singular Czech triumph Marketa Lazarová will be playing at Anthology Film Archives as...
In Theaters
Dec 13, 2012 — Repertory PicksThe Museum of Modern Art in New York is holding its first full retrospective of the films of Pier Paolo Pasolini in more than twenty years. Starting tonight and running through January 5, the series will include not only...
Sneak Peeks
Nov 21, 2012 — In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...
Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...