The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
Jun 30, 2020 — A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...
Jun 26, 2019 — Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.
Jul 12, 2018 — The French director’s English-language debut and first science fiction film is one of the first seven films selected to compete in San Sebastián.
The Daily
Mar 30, 2018 — Kim Jee-woon (The Good, the Bad, the Weird) has completed production on Inrang (working title), a remake of Hiroyuki Okiura’s 1999 animated thriller Jinroh: The Wolf Brigade (image above), reports Korean Film News (via Rubén Collazos at Cine maldito). “Set...
The Daily
Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....
The Daily
Dec 13, 2017 — In today’s round, we’re looking not only at the most recent best-of-2017 lists and awards but also new additions to the National Film Registry, the Black List, and more. We begin with Film Comment, where contributors and staff have voted...
The Daily
Aug 10, 2017 — “The Coen brothers’ secretive new project The Ballad of Buster Scruggs has landed at Netflix,” reports Zack Sharf for IndieWire. The Western anthology, shot in New Mexico and premiering next year, “tells six distinct stories set on the American frontier....
The Daily
Jun 20, 2017 — “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...