The Criterion Collection
Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.
The Daily
Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.
On the Channel
Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...
On the Channel
Dec 6, 2019 — Starting this weekend on the Criterion Channel, you’ll be able to steal some time with one of cinema’s most pulse-pounding subgenres. In the heist movie, even the most perfectly planned crimes run the risk of going awry, putting the mettle...
The Daily
Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...
The Daily
Feb 20, 2018 — David Bordwell has revisited The Donovan Affair (1929), “Columbia’s first all-talking picture, and Frank Capra’s as well.” It’s “an unusually fluid early talkie” and studying it teaches us “some things about those transitional years 1928-1932, when filmmakers were figuring out...
The Daily
Dec 18, 2017 — The new Winter 2017 issue of Cineaste is out and the highlight of what’s online would have to be the interviews, four complete “Web Exclusives.” Dennis West and Joan M. West talk with documentarian Pamela Yates about completing her Guatemalan...
The Daily
Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.