The Criterion Collection
Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...
Apr 22, 2016 — Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Jan 5, 2006 — Akira Kurosawa appreciated Shakespeare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.
Apr 9, 1990 — Few motion pictures have ever matched the 1938 Warner Bros. production of The Adventures of Robin Hood for sheer entertainment. Even today this film ranks high on any list of all-time favorites. Warner Bros. first considered filming The Adventures of...
The actor praises the unique sensibility that Martin Scorsese brought to The Last Temptation of Christ, shares his love for the visual poetry of his friend and collaborator Guillermo del Toro, and talks about why Throne of Blood is his...
Feb 13, 2009 — Paul Morrissey is the director of Flesh for Frankenstein and Blood for Dracula.
Marsha Kinder, professor emerita of critical studies at the University of Southern California, is the author of Blood Cinema: The Reconstruction of National Identity in Spain and the editor of Refiguring Spain, Luis Buñuel’s “The Discreet Charm of the Bourgeoisie,”...
Jan 20, 2026 — A smash hit at the box office, this electrifying adventure film established the team of director Michael Curtiz and actors Errol Flynn and Olivia de Havilland as one of the most iconic creative partnerships in Hollywood.
Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...