The Criterion Collection
Essays
Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.
Essays
May 22, 2006 — Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.
The Daily
Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...
Jan 23, 2006 — Ingmar Bergman was enjoying one of the happiest spells of his life while making The Virgin Spring (1960). On a personal level, he was felicitously ensconced in his fourth marriage, to the concert pianist Käbi Laretei. And, professionally, he was...
Sep 17, 2007 — G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...
Nov 8, 2010 — To say that Lars von Trier deals in provocation and controversy is like saying John Ford made westerns: obviously true, but far from giving a measure of the director’s importance. Ever since The Element of Crime polarized critics at Cannes...
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.
Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.