Because I Love You

Jun 23, 2017 — Kirsten Johnson joined Illeana Douglas for an evening of conversation and a screening of Cameraperson at the Wing, a women’s club that recently opened in Manhattan.

Mar 31, 2026 — Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.

May 7, 2021 — This week we celebrate Elaine May, Ulrike Ottinger, Liza Minnelli, and Madonna while paging through the new Senses of Cinema.

Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...

Nov 12, 2017 — On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Aug 13, 2007 — Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Apr 22, 2026 — Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”