Baby

The comedian talks about Andy Griffith’s electric performance in A Face in the Crowd, the depiction of childhood loneliness in Me and You and Everyone We Know, and favorite films such as Bringing Up Baby and Menace II Society.

The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”

Mar 18, 2026 — Born in Pereira, Colombia, Lucrecia Dalt has carved out a distinctive space in contemporary music. Her trajectory from civil engineer to sound artist began while working at a geotechnical company in Medellín, where she discovered computer-based music production—a revelation that...

Aug 25, 2016 — Tunde Adebimpe is the lead singer of the Brooklyn-based band TV on the Radio. In addition to his music, he is also an animator, visual artist, and actor. His film credits include Jonathan Demme’s Rachel Getting Married, Sebastián Silva’s Nasty...

Jul 29, 2014 — The writer and director is inspired by Lawrence Kasdan’s classic comic drama to consider the joys and disappointments of the baby boomer generation that begot her.

Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

Dennis Lehane is the author of many novels, including Gone, Baby, Gone (1998); Mystic River (2001); and Small Mercies (2023).

Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.