The Criterion Collection
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
The Daily
Aug 29, 2024 — Beetlejuice Beetlejuice has some critics rolling their eyes, while others embrace his unique and newly reinvigorated vision.
Nov 21, 2023 — What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...
The Daily
Nov 29, 2022 — Everything Everywhere All at Once scores Best Feature and the Outstanding Supporting Performance award for Ke Huy Quan.
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
The Daily
Jul 20, 2022 — Bristol’s showcase of restorations and rarities will head out across the UK and Ireland next month.
The Daily
Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...