The Criterion Collection
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...
Jul 22, 2020 — Here’s the latest on how Venice, Toronto, Locarno, and other festivals are radically rethinking this year’s editions.
The Daily
Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.
The Daily
Nov 5, 2018 — Alice Rohrwacher’s third feature, currently playing in Europe, heads to home screens at the end of the month.
The Daily
Oct 23, 2018 — Jon S. Baird and his cast offer a winning tribute to Laurel and Hardy.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
The Daily
May 14, 2018 — A fable, a social critique, and a frontrunner for the top prize.
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Sneak Peeks
Jan 30, 2017 — It wasn’t until the second half of his life that Senegalese master Ousmane Sembène dedicated himself to cinema, with his debut feature, Black Girl, premiering in 1966 when he was forty-three. Already an acclaimed novelist, Sembène had lived in France...