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Anyone But You

Sound and Vision

The Daily

Mar 21, 2025 Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”

Planet Waves

The Daily

Aug 16, 2024 While we check in this week on Jane Campion and Clint Eastwood, IndieWire reassesses the best of the 2000s.

Nov 12, 2021 A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.

Oct 20, 2020 At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...

Dec 23, 2019 Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

Jul 16, 2018 In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Apr 27, 2026 During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

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