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Animal Farm

Aug 28, 2020 “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...

Aug 25, 2020 Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Apr 17, 2018 Up at the top, that’s Behnaz Jafari and Jafar Panahi in Panahi’s 3 Faces, which is slated to premiere in Competition in Cannes next month. Film Comment points us to an interview with Panahi in the latest issue of World...

Jul 14, 2015 Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

Feb 26, 2015 The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.

Jan 25, 2012 Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...

May 20, 2009 Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

Mar 27, 2006 Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.

Jul 17, 2024 Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

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