The Criterion Collection
Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...
May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...