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Absolute Power

Apr 15, 1992 When President Kennedy announced that Ian Fleming’s novels were amongst his favorite bedside reading, the international stage was set for the entrance of a new cinematic character. His name was Bond—James Bond. In 1962, Dr. No burst onto the screen...

Jan 14, 2025 There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

Dec 7, 2010 In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Oct 15, 2050 Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Nov 8, 2022 In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Mar 9, 2021 “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Jul 14, 2026 On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

April Books

The Daily

Apr 21, 2026 From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.

Feb 18, 2026 One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.

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