The Criterion Collection
In Theaters
Mar 24, 2016 — Repertory PicksThis week, the University of Chicago’s Doc Films kicks off a two-month-long Abbas Kiarostami series, starting with the Iranian director’s 1990 masterwork Close-up. Taken from the real-life story of Hossain Sabzian, a young man put on trial in Tehran...
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
In Theaters
Dec 14, 2017 — In his Oscar-winning comedy Mon oncle, playing next week in Waterville, Maine, Jacques Tati explores the chaos of mechanized modern life.
Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...
The Daily
Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.
Feb 12, 2024 — Bob Young worked with Michael Roemer on Nothing but a Man and directed ¡Alambrista! and The Ballad of Gregorio Cortez.
The Daily
Oct 12, 2021 — One of cinema’s most eclectic and impactful curators is fêted in the cities were he lived and worked.
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
The Daily
Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...
Essays
Aug 31, 2012 — He was a doctor, explorer, and anthropologist in addition to being a director. Learn more about the fascinating man who made Lonesome.