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14′ episode in Amori di mezzo secolo

Oct 27, 2017 In the wake of Christopher Nolan’s war epic Dunkirk, one of the most widely celebrated and commercially successful films of the summer, we’re revisiting the filmmaker’s no-less-inventive low-budget beginnings in this week’s Short + Feature, now streaming on the Criterion...

Sep 6, 2017 New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...

Bleak Week 2025

The Daily

Jun 2, 2025 More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.

Women in Time

The Daily

Apr 5, 2024 Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.

First Look 2018

The Daily

Jan 5, 2018 For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Aug 7, 2025 A highlight among the many goings on in New York over the next several weeks is a tribute to Luc Moullet.

Feb 1, 2018 The Tracking Board’s Jeff Sneider hears from “multiple sources” that Clint Eastwood—seen above in Gran Torino (2008)—is “circling” The Mule, a project based on Sam Dolnick’s 2014 article for the New York Times Magazine about Leo Sharp, a ninety-year-old courier...

Sep 18, 2017 New York. “The Whole World Sings: International Musicals, a weeklong, thirteen-film series at the Quad, is an education in song-and-dance practices outside the Hollywood one,” writes Nick Pinkerton for 4Columns. “René Clair’s Le Million (1931) [image above] is the earliest...

Aug 8, 2021 This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Feb 28, 2018 A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

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