The Criterion Collection
May 21, 2009 — People just can’t get enough of The Red Shoes, judging by the buzz surrounding the new digital restoration of Powell and Pressburger’s Technicolor masterpiece, which premiered last week at the Cannes Film Festival. And the latest offering in the swirl...
Essays
Sep 17, 2007 — Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
The Daily
Oct 2, 2020 — This wild week we’re celebrating William Greaves, watching Denis Lavant dance, and listening to Léonce-Henry Burel’s juicy stories about Robert Bresson.
The Daily
Jul 13, 2018 — A series in New York presents all ten of the films featuring Hollywood’s most celebrated dance partners.
Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...