Wit

Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.

Jun 18, 2024 — In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.

Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.

Jun 14, 2024 — Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.

Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.

Jun 11, 2024 — Every screening in this sin-ridden program will be introduced by an esteemed film historian.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Jun 10, 2024 — Sam Fragoso gets Linklater talking about the evolution of his approach to making films from Slacker through Hit Man.

Jun 10, 2024 — The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

Jun 6, 2024 — In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.