The Criterion Collection
Essays
Apr 19, 2004 — “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...
The director of Creep, The Overnight, and Corporate Animals calls Wings of Desire the film that made him want to make movies, talks about his belated discovery of All That Jazz, and pays tribute to Wes Anderson.
A. S. Hamrah’s work has appeared in a number of publications, including n+1, Bookforum, and Harper’s. A collection of his work, The Earth Dies Streaming: Film Writing, 2002–2018 (n+1 Books), was called “essential reading” by the Nation and “form-bending, disobedient”...
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Nov 25, 2025 — Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.
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Sep 26, 2025 — The week brings a celebration of restorationists and the new and younger audiences showing up to see their work.
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Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
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Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.
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Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
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Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.
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Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .