True/False 2026

The Daily

Mar 4, 2026 Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Mar 2, 2026 A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Feb 26, 2026 This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.

Feb 20, 2026 Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Jan 29, 2026 A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.

Jan 27, 2026 Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.

January Books

The Daily

Jan 26, 2026 The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.

Jan 20, 2026 This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

A Kind of Requiem

The Daily

Dec 12, 2025 This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Nov 13, 2025 The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

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