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May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...

May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.

May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.

May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...

May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.