The Criterion Collection
The Daily
Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
The Daily
Dec 14, 2018 — In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.
Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.
The Daily
Dec 10, 2018 — Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...
The Daily
Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.