The Criterion Collection
The Daily
Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...
The Daily
Aug 18, 2017 — “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...
The Daily
Jun 15, 2017 — With Kino Lorber’s new restoration opening at the Metrograph in New York tomorrow, where it’ll be screening through Wednesday, and then playing at Cinefamily in Los Angeles from July 7 through 13, we begin with Alan Scherstuhl in the Village...
Aug 1, 2016 — Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.
Interviews
Jul 6, 2016 — The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...
Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
In Theaters
May 4, 2015 — Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema The Apu Trilogy (Pather Panchali, Aparajito, and Apur Sansar) is returning to theaters across the country, in a meticulously reconstructed new 4K...